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Royalty, Fine Art, Coins & Medals, Toys, Antiques & Collectors
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Regarding all toys, games and railway models, Lots. 445 - 522, these are sold as seen, there are no warranties or guarantees regarding the contents of the boxes. There is no recourse for any goods removed from our premises.
Regarding all toys, games and railway models, Lots. 445 - 522, these are sold as seen, there are no warranties or guarantees regarding the contents of the boxes. There is no recourse for any goods removed from our premises.
Filtering Category: Art
43 Lots
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Lot 296
Max Brandrett (20th Century), "Living Legend, Lester Pigott and Teenoso Derby Winners 1981", signed and numbered "49/500" in the margin, offset lithograph, pub. Studio Sporting Prints Ltd. 1989, 47 x 62.5cm; Roy Miller (b.1938); "The King George VI Rank Steeplechase 1987", signed and numbered "12/15" in pencil in the margin, Artist's Proof, 39 x 62cm, and Peter Scott (1909-1989), Swans in flight, signed in pencil in the margin, lithograph in colours, 44 x 55.5cm. (3).Lot 299
Jean-Pierre Cassigneul (French, b.1935), Side profile of a woman in a fur coat and wide brimmed hat, signed and numbered 9/110 in pencil in the margin, lithograph in colours, 44 x 51.5cm overall, and Gy. Szabó Béla (Hungarian, 1905-1985), Figures by a river, woodcut, signed with dedication to Lady Morley, 42.5 x 35cm overall, (unframed). (2).Lot 302
Westminster School - After A. Pugin, Four Scenes from R. Ackermann's "History of Westminster School", "School Room", "Dormitory", "Hall", and "Scholar", coloured engraving, 23.7 x 30.5cm; Edward Frank Gillet (1874-1927), Scholar surrounded by piles of books in a library, signed and inscribed "Ex Libris To My Friend George Garrett" in pencil in the margin, etching, 27 x 32.5cm, and an invitation to the Coronation of King George V sent to C. A. Crow at Westminster School, framed. (6).Hammer: £ 30
Lot 303
Harry Bingham Neilson (1861-1941), "Mr Fox's Hunt Breakfast on Xmas Day", lithograph in colours, 33.5 x 67cm; John Rattenbury Skeaping (1901-1980), Study of a resting doe, signed, lithograph, 40 x 31cm; After Warwick Goble (1862-1943), 5 scenes with fairies/nymphs, and 2 scenes with figures, offset lithograph, (in 3 frames); After Paul Henry (1876-1958), "Launching the Currach", print on board, 39.3 x 59.8cm; Chinese watercolour of caterpillars on a branch, and 2 on silk. (9).Hammer: £ 80
Lot 317
English School, 19th Century, River flowing through a valley, and Figures resting with cattle watering, watercolour, 25 x 38cm and 24.5 x 27.5cm; Chinese School, 20th Century, pair of birds with flowers, watercolour on silk, 52 x 32cm; signed David Shepherd print, and a print of the Arc de Triomphe, Paris. (5).Lot 322
Rebecca Anne Foster (British, 1866-1951), Still life of roses, signed, oil on canvas, 18.6 x 31.5cm; pair of Regency engravings after moorland, with figures, coloured engravings, 28 x 21.8cm, in gilt moulded frames; 2 other prints, and a mirror with portrait above, 43.5 x 9.6cm. (6).Hammer: £ 75
Lot 333
William Bruce Ellis Ranken (British, 1881 - 1941), 'The Redcoat', a young Lance Corporal in the Royal Horse Guards, (believed to be Harry Frankland), signed with monogram, and dated 1915, oil on canvas, with hand written label verso, 108.5 x 85cm, in later gilt frameNotes: The painting was first shown at the 4th National Portrait Society Exhibition held at The Grosvenor Gallery, 51a New Bond Street, London in March and April 1915. It was subsequently reproduced on the front cover of the magazine 'Colour' in June 1915. The painting was further exhibited at The Royal Scottish Academy in the summer of 1916 (no. 164). The sitter appears to bear a strong resemblance to the figure in Ranken’s oil 'Trooper of Royal Horse Guards, in Walking-Out Dress' (National Army Museum collection) and a watercolour in the collection of Warrington Museum and Art Gallery, both of which were gifted by the Ranken family. In 1915, Ranken also exhibited a large oil of a portrait group entitled ‘Life Guards’, the central figure has the same head as Warrington Museum’s painting and a strong resemblance to 'The Redcoat’ sitter.
According to Ranken's papers, the painting was lost in the early 1920’s following an unauthorised sale of some of his works. Furthermore, there appears to be no auction records for 'The Redcoat'. This could be the first time the painting has appeared in the public domain in over 100 years.
Information courtesy of Wendy & Gordon Hawksley, for further details we recommend that you contact - www.williamranken.org..
Hammer: £3,800
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